Tuesday, March 30, 2010

Drawing Competition


The First Annual Drawing Competition hopes to gather together the greatest draftsmen to work on a single figure drawing over the course of 5 days. Drawings will be done from one model and one pose.

Drawing skills are the bedrock of good painting, and the foundation on which form and color can most truthfully be expressed. It is incumbent on the artist to routinely sharpen and develop these skills from life. The intent of this competition is to bring greater prestige and honor to those artists who have devoted time and energy to honing these abilities. It will be a pure test of drawing skills.

The draftsman who executes the most beautiful drawing will be awarded the Grand Prize accompanied by the title, Apelles. The second place prize includes the title, Protogenes. The winning draftsmen will hold these titles until the next annual competition. Cash prizes to be announced.

Participants will be selected on the basis of a portfolio submission consisting of five images, including at least three figure drawings. All artists, from students to professionals, young and old, are encouraged to apply. There is no entrance fee, and no fee to compete. Please send all inquiries and entries to GCAdrawingcompetition@gmail.com.


The Story of Apelles and Protogenes

Apelles and Protogenes were renowned painters of Ancient Greece during the time of Alexander the Great (4th century BC). They were rivals and also advocates of each other’s work. Stories tell of their daily precise practice of outlining, and the laborious fine finish they brought to their work, whether drawings or paintings.

Their rivalry tested who could draw the finest, steadiest line and has famously been recorded in an anecdote in Pliny’s Natural History.

Apelles travelled to Protogenes' home in Rhodes to make the acquaintance of this painter he had heard so much about. Arriving at Protogenes' studio, he encountered an old woman who told him that Protogenes was out and asked for his name so she could report who had enquired after him.

Observing in the studio a panel Protogenes had prepared for a painting, Apelles walked over to the easel, and taking up a brush told the servant to tell Protogenes "this came from me," and drew in colour an extremely fine line across the panel.

When Protogenes returned, and the old woman explained what had taken place, he examined the line and pronounced that only Apelles could have done so perfect of work; Protogenes then dipped a brush into another colour and drew a still finer line above the first one, and asked his servant to show this to the visitor should he return.

When Apelles returned, and was shown Protogenes' response, ashamed that he might be bettered, he drew in a third colour an even finer line between the first two, leaving no room for another display of craftsmanship.

On seeing this, Protogenes admitted defeat, and went out to seek Apelles and meet him face-to-face.

(Retold by Guillaume Apollinaire)

Sunday, March 28, 2010

Orion Painting


















Above, my first compositional study in much need of some "Greek Love".







To the left my second Compositional study with some much needed help from the Golden Section, thank you classical Greek mathematicians, and below, the third and final compositional study to be completed as a fully rendered drawing with all four figures and three doves ready to transfer to canvas.

Orion Painting

The Pleiades Sisters, Daughters of Atlas, first sister, second figure in painting; preliminary sketch and finished drawing of final pose.

Orion Painting

Orion hunter, Son of Poseidon, God of the Sea, Preliminary sketch for first four figure painting.

Link to Beautiful Animation Short














In "Nature by Numbers," filmmaker Cristobal Vila presents a series of animations illustrating various mathematic principles, beginning with a breathtaking animation of the Fibonacci sequence. Then it moves on to the Golden and Angle Ratios, the Delaunay Triangulation and Voronoi Tessellations.


http://boingboing.net/2010/03/22/dreamlike-animation.html

Saturday, March 27, 2010

Work By Angela Cunningham


These are photos of a sculpture Angela, a fellow GCA instructor, recently completed. They are so stunning, beautiful, beautiful work Angela! Also her drawing of the same model last year.

Tuesday, March 23, 2010

Jason & Medea Painting in Progress III

I have finished painting the golden fleece and added in the goblet today.

Spring in New York


It is Spring in New York, I am in love, my morning coffee is a chocolate hazelnut blend and all I have to do today is paint, what really could be better....just thought I'd share the love.

Sunday, March 21, 2010

GCA UPDATES

On the Left, students Lauren and Todd at the GCA in Ecorche class. What does fifty hours a week of intensive classical training get you? Infinite Knowledge a power drill and an apron.








Below: Stunning Works done by fellow GCA Instructors: Roses by Michael Klein and Portrait by Travis Schlaht


Added Background

Added white chalk to the background and thought it made a nice difference, her face was a bit lost in the dark tone of the paper before.

Thursday, March 11, 2010

Jason & Medea Painting in Progress II



Last night was the last session with the beautiful "Medea". I am now attempting the "Golden Fleece". Poor "Jason" will have to continue on with out a nose for a little longer.

As a new personal painting goal, I am trying to push my character's emotional expressions more.
My hope is that a deeper emotional connection is possible between painting and viewer when a character's feelings are aptly expressed.

Wednesday, March 3, 2010

My New Ophelia Painting





Painting very very very much in progress